Category Archives: Cape Cod and the Islands

The Storied Life of A.J. Fikry (Audio)

cover image of audiobook on CDThe Storied Life of A.J. Fikry, a novel by Gabrielle Zevin, is about a grieving widower named A.J. – old before his time at not even 40 – whose lonely life as a judgmental, cantankerous bookseller on Alice Island (a fictional Massachusetts island much like Martha’s Vineyard) is transformed when a small child named Maya enters his life. Narrated by Scott Brick, The Storied Life of A.J. Fikry was one of my favorite audiobooks of 2014. Bookish and clever, funny and moving, it’s a wonderful story, even if completely unrealistic.

I started this post back in May, but never wrote up a review, so I thought I’d just share a couple of quotes from the book. Lambiase (pronounced Lamb-bee-ay-zay, as I recall) is the police detective who is investigating the abandonment of Maya in A.J.’s bookstore.

“Lambiase does not miss his wife, although he does miss having somewhere to go after work. He parks himself on the floor and pulls Maya onto his lap. After Maya falls asleep, Lambiase tells A.J. the things he’s learned about the mother.

‘What’s strange to me,’ A.J. says, ‘is why she was on Alice Island in the first place. It’s kind of a pain to get here, you know. My own mother’s visited me once in all the years I’ve lived here. You really believe she wasn’t coming to see someone specific?’

Lambiase shifts Maya in his lap. ‘I’ve been thinking about that. Maybe she didn’t have a plan of where she was going. Maybe she just took the first train, and then the first bus, and then the first boat, and this is where she ended up.’

A.J. nods out of politeness, but he doesn’t believe in random acts. He is a reader, and what he believes in is narrative construction. If a gun appears in Act One, that gun had better go off by Act Three.”

* * *

Lambiase nods, and drinks his wine. “Nobody’s saying you have to keep her.”

“Yeah, yeah, of course. But do you think I could have some sort of say in where she ended up? She’s an awfully smart little thing. Like she already knows the alphabet, and I even got her to understand alphabetical order. I’d hate to see her land with some jerks who didn’t appreciate that. As I was saying before, I don’t believe in fate. But I do feel a sense of responsibility toward her. That young woman did leave her in my care.”

If you like quirky books like Mr. Penumbra’s 24-Hour Bookstore or Where’d You Go, Bernadette?, or books that are about books and reading, you’ll probably like The Storied Life of A.J. Fikry very much. Listen to an excerpt here.

The Storied Life of A.J. Fikry
Zevin, Gabrielle
Brick, Scott (narr.)
Highbridge Audio
April 2014
9781622313532
7 hours on 7 CDs
$29.95

Disclosure: I bought my own copy of this audiobook, which is nice, because I might want to listen to it again sometime.

Other opinions on the audiobook edition:
AudioFile
The Literate Housewife
Words and Peace

Hearts Warm on Cold Island: A Nantucket Christmas by Nancy Thayer

cover imageJudging from A Nantucket Christmas, author Nancy Thayer has mellowed over the years since the earlier novels that I remember reading about marriages or long-time friendships breaking up, family secrets revealed, the occasional crime of passion, etc. (She is described by one reviewer as “queen of the beach book.”) Her earlier women’s fiction, as I recall, had more of a bite to it. this Christmas story set on the cold island of Nantucket is short and sweet – in a word, heartwarming. With food! But no recipes.

There is some realism in evidence here, especially in the almost-caustic thoughts of Nicole, a retired nurse, when she sees her first Christmas with her new (also handsome and wealthy) husband being ruined by the extended visit of his hugely pregnant and unpleasant adult daughter and her family, but mostly it’s a heartwarming story about the ups and downs of marriage and blended families. Maddox – Nicole’s new, four-year-old step-grandson – gets his own story line, and so does an abandoned, little dog.

Dogs, baking, Christmas, and quaint Nantucket…That about sums it up! I enjoyed the story and the setting and recommend this to anyone who enjoys domestic fiction and is looking for a pleasantly undemanding holiday read.

cover imageA Nantucket Christmas was released last year, and this year there is An Island Christmas, about a family and a holiday wedding. (Also described by the publisher as “heartwarming,” so you can count on a happy ending.)

A Nantucket Christmas
Thayer, Nancy
Ballantine Books, 2013
978-0-345-54535-0
224 pp.
$18, hardcover
978-0-345-54546-6
$9.99 (e-book)

Disclosure: I received a free print copy of this book for purposes of review from the publisher through LibraryThing’s Early Reviewers program.

Other opinions:
LibraryThing reviews

“Last night I dreamed of Nauquasset again”: Alena by Rachel Pastan @riverheadbooks @rachelpastan

cover image of AlenaDeliberately invoking Rebecca – Daphne du Maurier’s classic novel about a young woman who marries a rich, older man after a whirlwind romance and from then on is constantly compared to the first Mrs. deWinter, former mistress of Manderley – Rachel Pastan’s third novel, Alena, begins with the line: “Last night I dreamed of Nauquasset again.” Instead of a naive new wife, Alena has a twenty-five-year-old curatorial assistant as its sympathetic heroine and nameless narrator. From her lowly job at an also unnamed third-tier institution she calls the Midwestern Museum of Art, she is suddenly elevated to the position of curator of the Nauquasset, an avant-garde museum of contemporary art on Cape Cod. Internationally recognized, the museum is known in the art world simply as “the Nauk.”

The Nauk’s owner, Bernard Augustin – known for his debonair looks, great wealth, and established position in the art world – essentially picks up our nameless narrator at the Venice Art Biennale and, within a few days, offers her the job of a lifetime. Reassuring her worried mother back home that since her new employer is gay, the job offer has nothing to do with sex, she tells her disbelieving and discouraging current boss she’s leaving and steps in to take the place of the glamorous, exciting, creative Alena – the previous curator at the Nauk who disappeared mysteriously three years ago, presumed to have drowned while swimming alone at night, as she was known to do.

 The Nauk belongs to the monied side of the Cape. Lit up at night, the building is an architect’s vision overlooking the water from the dunes. The cottage that the narrator is given to live in belongs more to the service economy side of the Cape; she can’t see the water from the windows, or even hear it. Too late, she wonders what she has gotten herself into.

With intriguing descriptions of art and equally sharp-eyed observation of people, this page-turner of a novel explores the feelings of the narrator as a strained and awkward newcomer in long-established groups – the museum staff, the board of trustees, the Cape’s wealthy patrons of the arts, and the temperamental local artists looking for recognition. Mingling with the salt air of the Cape is the Gothic air of mystery surrounding the disappearance of the enigmatic Alena, whose body was never found. The narrator is dying to know more about Alena, of course, but doesn’t want to appear too interested in her predecessor as she tries to establish herself in Alena’s former position, and prove that Bernard did not make a mistake when he chose her.

Why did he choose her?, she wonders. Another question she can’t ask anyone, certainly not the extremely private Bernard, although she yearns to ask him. At the same time, she wants intensely to protect him from the prying of others, allowing him his private grief over losing his lifelong friend Alena.

Instead of the huge Manderley estate and staff to manage, the unnamed narrator has the art museum and staff. The art world is still a man’s world; the narrator has to struggle to gain her footing in it even after such a leg up. Alena isn’t a re-creation of the romantic story of Rebecca (Bernard Augustin really is gay, has always been gay, and continues to be gay), but more a re-casting of the story in a different form to make readers think about how art resonates.

As for its Massachusetts setting, much of the novel takes place inside the narrator’s head or inside the museum, but there are some evocative descriptions of the ocean and scenery. The narrator is struck by the beauty and exoticism of Cape Cod. In her early morning walks on the bay side, she looks out over the water and wishes she might spy “great whales breeching,” and imagines seeing “wooden ships from the days of the explorers, their sails pregnant with wind.”

Although the setting seemed realistic to me, there’s no museum of contemporary art on Cape Cod that the fictional Nauquasset would seem to have been based on. (It may be more likely that some material springs from the author’s day job as editor-at-large at the Institute of Contemporary Art at the University of Pennsylvania.)

Even with its undercurrent of Gothic-style suspense, Alena isn’t intended to be a thriller, romantic or otherwise, although I think there will be inevitable comparisons to Gone Girl. I highly recommend Alena to readers who like the mysterious aspects and psychological murkiness of novels like The Little Stranger by Sarah Waters, Half Broken Things by Morag Joss, and The Night Swimmer by Matt Bondurant, and to readers of literary fiction in general. (I think it would make a great audiobook, as well. The Tantor audio edition is narrated by Carla Mercer-Meyer; listen to a sample here.)

Alena
Pastan, Rachel
Riverhead (Penguin)
January 23, 2014
9781594632471
320 pp.
$27.95, hard.

Disclosure: I received an advance reading copy of Alena through LibraryThing’s Early Reviewers program. This book will be released on January 23, 2014.

 

 

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