For Meg Mitchell Moore‘s second novel, So Far Away, she has created historical diary entries from an Irish immigrant maid’s found notebook, as well as believable contemporary characters ranging in age from 57-year-old archivist Kathleen, to Kathleen’s 30-something friend and coworker Neil, down to 13-year-old Natalie, who travels by bus from her suburban Newburyport home to Boston to visit the Massachusetts Archives in Boston on her own. She brings a crumbling notebook filled with handwriting too spidery for Natalie to read that she found hidden away in her basement – which turns out to be a gripping personal account from a Bridget O’Connell Callaghan (writing in 1975 as an elderly woman) about her position as a young maid just over from Ireland in a Boston doctor’s household.
Natalie (whose parents have separated and haven’t been showing much interest in her life) is investigating her family history for a school project and as a way of escaping bullying classmates who are tormenting her with malicious text messages. Kathleen, living alone with her dog Lucy after losing her teenage daughter years ago, becomes concerned about Natalie, but isn’t sure whether or how to intervene.
The author skillfully brings together several different story lines – historical and contemporary. Readers who liked The Memory Keeper’s Daughter by Kim Edwards, A Wedding in December by Anita Shreve, or novels by Laura Moriarty or Joanna Trollope, will also like this moving novel about how easily families can break apart and how hard it can be to create new ones.
So Far Away
Moore, Meg Mitchell
Reagan Arthur (Little, Brown)
May 29, 2012
Disclosure: I received an advance reading copy of So Far Away from Little, Brown through NetGalley, but plan to purchase my own hardcover copy at an author signing at the Mattapoisett Free Public Library this month. Additional disclosure: I’m friends with the author’s mother-in-law, but I don’t think that influenced the review!