Tag Archives: Seattle

Where’d You Go, Bernadette by Maria Semple (Audio) @HachetteAudio

cover image of Where'd You Go, BernadetteWhere’d You Go, Bernadette, a first novel by Maria Semple, narrated by Kathleen Wilhoite, is a audiobook bargain at $14.98. It came highly recommended around the blogosphere, but at first the story seemed too self-consciously quirky and to hold back an annoying amount of information. I also thought the narrator’s voice for fifteen-year-old Bee (who tells a large portion of the story in her own words) would irritate me. (It seemed too babyish, and I kept thinking Bee was ten years old or so until something reminded me she was a teenager was planning to go to boarding school the next year.) The volume level from one character’s voice to another’s seemed to vary more widely than usual, too – screeches and yells bursting into my ear at high volume and then low conversational tones – so that I found myself adjusting the volume up and down.

But after an hour or so, I settled in and enjoyed Kathleen Wilhoite’s enthusiasm and liveliness. Where’d You Go, Bernadette is her first audiobook narration. It’s also the first one I’ve listened to where the narrator can actually sing. There is one scene in the story where Bee hears the song Holy Night sung at a concert and the author quotes a couple of verses and the chorus as Bee listens, rapt. Kathleen Wilhoite sings the whole thing beautifully, instead of reading the lyrics aloud as I’ve heard other narrators do. She even nails that impossibly high note while having to keep the volume restrained.

Along with Bee’s point of view, Where’d You Go, Bernadette is a compilation of documents such as report cards, email correspondence, FBI files, magazine articles, and transcripts of recorded conversations, that slowly come together to form a complete picture of the missing Bernadette — who from one viewpoint is an artistic genius architect, from another a depressed agoraphobe, and from yet another, a crazy recluse and neglectful mother. The fragmented narrative structure can make the story seem to jump around a bit, as it shows readers the same event from several angles. Patience is required from the reader before all the bits of information begin to cohere.

Where’d You Go, Bernadette has a lot of references to Microsoft – where Bernadette’s husband works as a software developer/genius – and to Seattle, where Bee attends the progressive Gaylor Street School. Excerpts from Bee’s latest Gaylor Street School report card appear at the start of the book:

“Bee is a pure delight. Her love of learning is infectious, as are her kindness and humor.”

“Bee is unafraid to ask questions. Her goal is always deep understanding of a given topic.”

Bee’s excellent report card leads her to ask her parents if they remember their long-ago promise to give her whatever she wanted for a graduation gift if she gets perfect grades all the way through school. (“I do remember,” says Bernadette, weakly. “It was to ward off further talk of a pony.”) Bee excitedly requests a family trip to Antarctica. The mere idea practically sends agoraphobic Bernadette off the deep end. But, loving Bee, and wanting to honor her promise, Bernadette begins to plan for the trip, enlisting the help of a virtual personal assistant in India. Through the documents presented in the book, readers see Bernadette’s panic grow as the date for departure looms, and the once close-knit family begins to break apart under the strain.

If you liked Mr. Penumbra’s 24-Hour Bookstore by Robin Sloan, a quirky quest story out of San Francisco about Google and books, you might also like Where’d You Go, Bernadette, which has a quirky daughter on a quest to understand what happened to her quirky mother, with insider jokes about Microsoft and Seattle (minus the fantasy elements of MP24HB.) The humor in Where’d You Go, Bernadette also reminded me of the light/dark humor in The Family Fang by Kevin Wilson, with its family dynamic of borderline-crazy parents and resourceful children.

For a chuckle, watch the book trailer of the author (a screenwriter for the TV show Arrested Development) as she tries to explain to booksellers, critics, fellow authors, and random people on the street what Where’d You Go, Bernadette is about.

Listen to an excerpt from Where’d You Go, Bernadette from Hachette Audio here.

Read the AudioFile review of Where’d You Go, Bernadette here.

Where’d You Go, Bernadette
Semple, Maria
Wilhoite, Kathleen (narr.)
9781478978947
9.5 hours on 9 CDs
$14.98 US/$16.50 CAN

Disclosure: I borrowed this audiobook from the public library.

Other opinions on the audiobook edition of Where’d You Go, Bernadette (all excellent):
Bermudaonion
BookHooked
Care’s Online Book Club
A Library of One’s Own
That’s What She Read
You’ve Gotta Read This

Sound Bytes badgeThis review is linked up to Sound Bytes, a weekly link-up of audiobook reviews at Devourer of Books.

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Goodbye for Now by Laurie Frankel

Cover image of Goodbye for NowIn Laurie Frankel‘s second novel, Goodbye for Now, there are many moments that will bring a tear to your eye, but not a single sappy sentence. I loved it. When an advanced reading copy came in the mail last week, I bumped it to the top of the TBR pile and read it in two days. To shower some of my highest praise on this book: Goodbye for Now reminded me of Laurie Colwin.

Although I haven’t read Laurie Colwin’s Happy All the Time;  Shine on, Bright and Dangerous Object; Family Happiness; and Goodbye Without Leaving in years, they remain among my favorite novels of all time. Although they were about relatively privileged New Yorkers in their late twenties and early thirties, the novels made the domestic lives of these smart, witty people, who were also down-to-earth and kind to each other, so irresistibly appealing that readers were drawn in and forgave them any faults, wanting only the best for them all. Throw in computer technology, social media, and improved  forms of electronic communication and you’ve extended the boundaries for a contemporary comedy of manners with family, friends, colleagues, and beyond. In Goodbye for Now, the author’s tweaking of the geek-boy-meets-geek-girl theme and the characters’ philosophical musings on digital afterlives (when we die, our Facebook pages remain) add to the humor and the pathos of the characters’ everyday lives.

The main characters in Goodbye for Now live in Seattle, not New York, but Sam Elling and Meredith Maxwell seem as made for one other as Laurie Colwin’s couples did (Sam’s new online dating algorithm doesn’t go wrong.) Here’s Sam, a lonely software engineer, meeting Meredith for the first time, having tried his newly developed software on himself:

The next step for Sam, of course, was to try it himself. He wanted to know if it worked. He wanted to prove that it worked. But mostly, he wanted it to work. He wanted it to search the world and point, to reach down like the finger of God and say, “Her.” How good was this algorithm? First time out, it set Sam up with Meredith Maxwell. She worked next door. In the marketing department. Of Sam’s own company. For their first date, they met for lunch in the cafeteria at work. She was leaning against the doorframe grinning at him when he got off the elevator, grinning helplessly himself.
“Meredith Maxwell,” she said, shaking Sam’s hand. “My friends mostly call me Max.”
“Not Merde?” Sam asked, incredulous, appalled with himself, even as he was doing so. Who made a joke like that–pretentious, scatological, and French–as a first impression? Sam was awkward and off-putting and a little gross.
Incredibly, Meredith Maxwell laughed. She thought it was funny. She thought Sam was funny. But it wasn’t a miracle. It was computer science.

Both in their early thirties and unattached, Sam and Meredith (forever known to Sam as “Merde”) fall in love so easily and undramatically that when events conspire to have them moving in together, it makes perfect sense to start the living-happily-ever-after part of their lives right away, now that the wonders of computer technology and Sam’s programming genius have brought them together. It’s best not to know much more of the plot in advance because serendipity and bolts from the blue play a major role in how the story goes, so I won’t say much more here, except that the theme of loss runs through the novel starting with the sudden death of Sam’s mother when Sam was only thirteen months old, leaving Sam’s father (also a software engineer) to miss her for many years and Sam with a hole in his life where his mother should have been and no memories of his own stored up.

I hope Goodbye for Now won’t be marketed as a romantic story for women, because there’s so much more here…about grieving, marriage, friendship, artificial intelligence, and (of course, as in all the best novels) the motives of the human heart. Male readers of male authors who write humorous yet sharply observed novels and sometimes touching novels like Jonathan Tropper, Nick Hornby, and Tom Perrotta, should also like Goodbye for Now. (Look! There are model airplanes on the cover, not shoes or a thin, pale white woman in a dress.) If you are a reader of either sex who likes novels by Meg Wolitzer (Surrender, Dorothy), or Carolyn Parkhurst (The Dogs of Babel), or Laurie Colwin, you should also pick up Goodbye for Now as soon as it comes out.

Goodbye for Now
Frankel, Laurie
Doubleday
Aug. 7, 2012
978-0-385-53618-9
288 pp., $25.95 U.S./$30.oo CAN

Disclosure: I received an advance reading copy of Goodbye for Now from Doubleday through LibraryThing‘s Early Reviewer program.
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