In Laurie Frankel‘s second novel, Goodbye for Now, there are many moments that will bring a tear to your eye, but not a single sappy sentence. I loved it. When an advanced reading copy came in the mail last week, I bumped it to the top of the TBR pile and read it in two days. To shower some of my highest praise on this book: Goodbye for Now reminded me of Laurie Colwin.
Although I haven’t read Laurie Colwin’s Happy All the Time; Shine on, Bright and Dangerous Object; Family Happiness; and Goodbye Without Leaving in years, they remain among my favorite novels of all time. Although they were about relatively privileged New Yorkers in their late twenties and early thirties, the novels made the domestic lives of these smart, witty people, who were also down-to-earth and kind to each other, so irresistibly appealing that readers were drawn in and forgave them any faults, wanting only the best for them all. Throw in computer technology, social media, and improved forms of electronic communication and you’ve extended the boundaries for a contemporary comedy of manners with family, friends, colleagues, and beyond. In Goodbye for Now, the author’s tweaking of the geek-boy-meets-geek-girl theme and the characters’ philosophical musings on digital afterlives (when we die, our Facebook pages remain) add to the humor and the pathos of the characters’ everyday lives.
The main characters in Goodbye for Now live in Seattle, not New York, but Sam Elling and Meredith Maxwell seem as made for one other as Laurie Colwin’s couples did (Sam’s new online dating algorithm doesn’t go wrong.) Here’s Sam, a lonely software engineer, meeting Meredith for the first time, having tried his newly developed software on himself:
The next step for Sam, of course, was to try it himself. He wanted to know if it worked. He wanted to prove that it worked. But mostly, he wanted it to work. He wanted it to search the world and point, to reach down like the finger of God and say, “Her.” How good was this algorithm? First time out, it set Sam up with Meredith Maxwell. She worked next door. In the marketing department. Of Sam’s own company. For their first date, they met for lunch in the cafeteria at work. She was leaning against the doorframe grinning at him when he got off the elevator, grinning helplessly himself.
“Meredith Maxwell,” she said, shaking Sam’s hand. “My friends mostly call me Max.”
“Not Merde?” Sam asked, incredulous, appalled with himself, even as he was doing so. Who made a joke like that–pretentious, scatological, and French–as a first impression? Sam was awkward and off-putting and a little gross.
Incredibly, Meredith Maxwell laughed. She thought it was funny. She thought Sam was funny. But it wasn’t a miracle. It was computer science.
Both in their early thirties and unattached, Sam and Meredith (forever known to Sam as “Merde”) fall in love so easily and undramatically that when events conspire to have them moving in together, it makes perfect sense to start the living-happily-ever-after part of their lives right away, now that the wonders of computer technology and Sam’s programming genius have brought them together. It’s best not to know much more of the plot in advance because serendipity and bolts from the blue play a major role in how the story goes, so I won’t say much more here, except that the theme of loss runs through the novel starting with the sudden death of Sam’s mother when Sam was only thirteen months old, leaving Sam’s father (also a software engineer) to miss her for many years and Sam with a hole in his life where his mother should have been and no memories of his own stored up.
I hope Goodbye for Now won’t be marketed as a romantic story for women, because there’s so much more here…about grieving, marriage, friendship, artificial intelligence, and (of course, as in all the best novels) the motives of the human heart. Male readers of male authors who write humorous yet sharply observed novels and sometimes touching novels like Jonathan Tropper, Nick Hornby, and Tom Perrotta, should also like Goodbye for Now. (Look! There are model airplanes on the cover, not shoes or a thin, pale white woman in a dress.) If you are a reader of either sex who likes novels by Meg Wolitzer (Surrender, Dorothy), or Carolyn Parkhurst (The Dogs of Babel), or Laurie Colwin, you should also pick up Goodbye for Now as soon as it comes out.
Goodbye for Now
Frankel, Laurie
Doubleday
Aug. 7, 2012
978-0-385-53618-9
288 pp., $25.95 U.S./$30.oo CAN
Disclosure: I received an advance reading copy of Goodbye for Now from Doubleday through LibraryThing‘s Early Reviewer program.
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